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The video features a photogenic cast of black people, all professionally captured by black photographers. Shortly thereafter, Roy made his recording debut with Curtis Amy, a highly regarded saxophonist, with whom he recorded “Way Down” and “Tippin on Through”.Apple started Black History Month off right with a new Apple iPhone commercial. Fortunately for Roy, he had just begun to receive his musical blessings, as early in his career, he collaborated and performed with likes of Chico Hamilton, Teddy Edwards, Jack Wilson, Phineas Newborn and Gerald Wilson. As the adage goes, if you are blessed, when one closes another one opens.
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After graduation from Jefferson High, Roy attended Los Angeles City College where he studied advanced music theory.īy 1961 Roy had become a well-rounded, full-fledged professional musician, and as is customary in nuturing African-American households, at twenty-one the keys to the door. Appropriately enough, he first named the group the Jefferson Combo, later re-naming the group to the Latin Lyrics. During this period, Roy went on to form very first group of which he was the leader, while a student of Jefferson High school. Their relationships as friends and musicians blossomed, with regular meetings between the two to collaborate and practice. Roy began at first study independently, then eventually discovered that Bobby Hutcherson, a rising vibraphonist, lived in his neighborhood, and subsequently he began to work under Bobby’s tutelage. Then, at seventeen years of age his parents presented him with a set of vibes and the rest, as they say, is history. In addition to Roy’s involvement with various instruments, he also sang in the church choir. During Roy’s adolescence, although his parents required that his schoolwork remain his primary focus, his mother managed to fit in piano lessons, which served to enhance his public school education. with the gift of a lifetime- a pair of vibe mallets. So impressed was "Hamp" by the child’s ebullience he walked over and presented young Roy Ayers Jr.
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During “Hamps” customary stroll down the aisle to thank you his audience for attending, he noticed and ecstatic five-year-old boy. Perhaps Roy’s karmic destiny as a vibraphonist was by his parents’ decision to allow him attend a concert featuring the great Lionel Hampton’s Big Band. He turned to the steel guitar by the age of nice, had stints during his teens playing flute, trumpet and drums before embracing the vibes as his instrument of choice. As it often happens in a household filled with the love and the appreciation which for music, Roy began to demonstrate his musical aptitude by the tender age of five, by which time he was playing boogie woogie tunes on the piano. He comes by his affinity with music naturally, as his mother Ruby Ayers was a schoolteacher and local piano instructor and his father Roy Sr., a sometimes-parking attendant and trombonist. was born in Los Angeles, CA on September, 10 1940.